Mary Berry is somewhat of an icon in the UK: the Queen of baking and all things cake. The key to Mary's diet is everything in moderation — you can eat cake , but just not stacks of it. She told The Sunday Times : "I think to eat cake is very good for us, but it's the size of the slice and how often you have it. I know what puts on weight for me, it's just over-indulgence. It's a case of grasping the mettle. I know it's difficult.
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How To Read Satsuma Marks
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By adapting their gilded polychromatic enamel overglaze designs to appeal to the tastes of western consumers, manufacturers of the latter made Satsuma ware one of the most recognized and profitable export products of the Meiji period. The precise origins and early innovations of Satsuma ware are somewhat obscure;  however most scholars date its appearance to the late sixteenth  or early seventeenth century. Satsuma ware dating up to the first years of the Genroku era — is often referred to as Early Satsuma or ko-satsuma. Given that they were "largely destined for use in gloomy farmhouse kitchens", potters often relied on tactile techniques such as raised relief, stamp impressions and clay carving to give pieces interest. The intense popularity of Satsuma ware outside Japan in the late nineteenth century resulted in an increase in production coupled with a decrease in quality.
What is a Satsuma?
The Coalport porcelain manufactory was a market leading pottery throughout the s, it produced a staggering range of porcelain products of all shapes and types. Seemingly Coalport was named Coalport because of the coal that was transferred from canal boats to river vessels in the Coalbrook Dale area. Very early Coalport porcelain was unmarked, c and before and in reality marks were rarely used before However, the porcelain collector should note that early CoalBrook Dale marks are extremely rare and very collectible. Some bear a crossed swords mark.
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